Roy Harper on Flat Baroque and Bezerk

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Flat Baroque and Berserk (1970) is the fourth album by English folk / rock singer-songwriter and guitarist Roy Harper


‘Flat Baroque and Berserk’ was the first record of mine to go into the charts. For the first time in my recording career, proper care and attention was paid to the presentation of the song. Peter Jenner was assigned by EMI Records to produce the recording. Peter and I got on really well and he was a better overseer of my work than anyone I have been involved with before or since. I had also had a Studio upgrade. EMI Studios, Abbey Road was at that time the most advanced studio in Europe, and over the next ten years I was to record in near-perfect conditions.

Over those years, the studio buzzed with four separate Beatles, some Stones, The Pink Floyd, Cliff and the Shadows, Gracie Fields, three of four musical knights, Kate Bush, Olivier Newton-John, The Hollies, Yehudi Menuin, Stefan Grapelli, The Plastic Ono Band, Eric Clapton; you name them, they were all there. Jimmy Page and I were in there three or four times together.

It was a creative hotbed where the technical staff, headed by Ken Townsend, were second to none.

Meanwhile, back at the ranch, I was very pleased with my first record made in such elevated surroundings. The song that I was best known for in those days, ‘I Hate the White Man,’ was recorded live for this album, and still stands as a testament to my lifelong devotion to espousing equal rights for all humans. I have long since wondered about the wisdom of stating that you have the capacity to hate your own race for it’s misdemeanours, but as a polemic it has been both an effective tool and somewhere of a place for a humble humanitarian to stand.

‘Another Day’ is probably one of the best love songs I ever wrote, and much of the rest of the record is on a gentler level, although ‘Hells Angels,’ recorded with ‘The Nice,’ is raw and was very eventful.


TRACK LISTING

1. “Don’t You Grieve” 5:43
2. “I Hate the White Man” 8:03
3. “Feeling All the Saturday” 1:56
4. “How Does It Feel?” 6:29
5. “Goodbye” 5:42
Side two
No. Title Length
6. “Another Day” 2:57
7. “Davey” 1:30
8. “East of the Sun” 3:02
9. “Tom Tiddler’s Ground” 6:48
10. “Francesca” 1:19
11. “Song of the Ages” 3:52
12. “Hell’s Angels” 7:46

Personnel
Roy Harper – vocals, acoustic guitar, electric guitar on “Hell’s Angels”
David Bedford – arrangements[8][9]
Skaila Kanga – harp on “Song of the Ages”
Tony Visconti – recorder on “Tom Tiddler’s Ground”
Keith Emerson – keyboards on “Hell’s Angels”
Lee Jackson – bass guitar on “Hell’s Angels”
Brian Davison – drums on “Hell’s Angels”

The album contains some of Harper’s best-known songs – Tom Tiddler’s ground especially.  “I Hate the White Man”, in particular, is noted for its uncompromising lyrics, and Allmusic described the song as certainly one of his most notable (and notorious) compositions, a spew of lilting verbiage that’s hard to peg. It could be irony, it could be ironic self-hatred, it could be muddled reflections on the chaos that is the modern world, or it could be a combination of all of them. Harper described the song as, ‘a testament to my lifelong devotion to espousing equal rights for all humans. I have long since wondered about the wisdom of stating that you have more than the capacity to hate your own race for it’s (sic) misdemeanors, but as a polemic it has been both an effective tool and somewhere of a place to stand.’

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