All posts by yodamo

‘The Circle is Unbroken! / Ceol ‘s Craic

 CCA, Glasgow,

November 1st, 2014

Ceol ‘s Craic – ‘music and banter’ – puts on events to highlight contemporary Gaelic culture, and wants to draw a general audence as well as Gaelic speakers. ‘The circle is unbroken!’ (or, ‘Tha an cearcall neo-bhriste!’) featured a mix of generations and performers, and brought together emerging singers and musicians with established artists a good bit longer in the tooth. That worked fine for the most part – the near capacity, though fluid, audience (in and out of seats at times like a local hall) responded well, and was dished up a lively mix. A fairly impromptu session set from Neil McDiarmid (fiddle), Thomas McCabe (box accordion) and Alistair Cassidy (guitar), relaxed and chirpy at the same time, popped on through jigs, reels and polkas and launched the thing off fine.

Then we had singer Alasdair Whyte, who has a debut album Las from Watercolour Music, working with Margaret Macleod – a key figure with ‘trail-blazers’ Na h-Òganaich from the 70’s on. Alasdair’s voice is rich, true and strong (swallowed just briefly in lower register) and Margaret was on very good form, especially on puirt-à-beul and a contribution later on to that sexy classic ‘My Husband’s Got No Courage in Him’. I missed or didn’t catch some Gaelic titles here, but the blend of Mull marching (and rowing) songs, and tributes to a range of dark haired lads and lasses was delivered with confidence and warmth. Alasdair shared a duet wth Lavinia Blackwall (who featured later with Trembling Bells); Alex Neilson, Ross Wilson and Teddy Balfour backed up well, even the main man of the night parachuted in to the Gaelic choruses, and the first half ended in a rattling ensemble with ‘Canan nan Gaidheal‘.

Mike Heron’s ‘world music’ contribution, right from The Incredible String Band’ and his ground-breaking 1971 album ‘Smiling Men with Bad Reputations’, has lasted and lasted. Here he was in puckish, smiling, focussed and energetic nick: getting in a lot of numbers with little fuss but close attention. The musical connection between him and his daughter Georgia Seddon was a pleasure to follow, and the ‘Trembling Bells’ around – adding Michael Hastings, Simon Shaw, John (‘Frog Pocket’) Wilson to those not tagged before – chimed in entirely as required. We got the whole shebang: ‘This Moment’, Feast of Stephen’ (Georgia subbing for John Cale); ‘Spirit Beautiful’; the long-legged (Arlo, the Carters) ‘Black Jack David’; Robin Williamson’s ‘Cold Day in February’; one of the most beautiful ever short lyrics in the anthem ‘Air’: “You kiss my blood/And my blood kiss me”; then “slithering and squelching on” to ‘A Very Cellular Song’ before two welcome encores – ‘Sleepers, Awake!’ and ‘Log Cabin Home in the Sky’. Wished I’d heard a bit more singing from Georgia; but Lavinia Blackwall is already beautifully in orbit. Mike Heron is, of course, out beyond Arcturus. Drive on Ceol ‘s Craic!

 Reviewer : Mr Scales

Edinburgh’s Black History Month

.Friday 24th October.
I am blessed to be friends with some amazing creative entrepreneurs. Emma Elizabeth brain child of the wonderful Charity “BB United” Together with the Senagelese Society. A musical and creative partnership with that brings the musical talent of South Africa to Scotland, to create awareness of culture and dismantle barriers of ignorance.
To celebrate Edinburgh’s Black History Month. Be United held an event called “Remembering Our Past, Creating Our Future.
A festival of world music and creativity. The night began with a catwalk fashion show, Senagalese outfits and swimwear beautifully Modeled by the ladies of Culture Inspired. Indeed it was very inspiring and exotic, which set the tone for the anticipated musical delights of Makossa, Ska and Dancehall groove ignited the dance floor and the band had us in the palm of there hands. Infusing us and dazzling us, doing everything rock N Roll should do. Yes Makossa stoked the fires of dance in all of us.Good Time.
Next on the bill of delights Sun Cat brought us his amazing Didgeridoo, it was huge and boy could Sun Cat play it. Whipping his audience into fevered frenzy. Moving and meditative. Closely followed by the drumming brilliance of Tam Tam 2000 a troop of Senaglese percussionists presenting a Master Class in the music of African rhythm. This was exactly the infusion of culture that we all needed. The quality of performance presented in this showcase was a bit like Womad in a night.
The final live act of the evening was the very brilliant Samba And Diwan bringing the sound of golden beaches a palm trees with exotic tinges of Reggae, Jazz and Ska, reproducing the dance hall greats, the bands chemistry and musicianship took us on an exotic musical journey. And we lapped it up.
The DJ’s of the night were James Combe, Danso and special guest Mark from Samedia Shebeen, Divine takes his hat off to you, you had us swinging our hips and cutting our grooove into the early hours.
All in all a brilliant and very entertaining night. “Be United and Edinburgh’s Black History month”
Reviewer : Mark ‘Divine’ Calvert



27-28 August




As a poet I’m always excited to be exposed to an exponent of mine art ancient art which I have never come across before. I was delighted, then, to find myself sat down in Edinburgh’s Playhouse immersed in the poetry of the seminal 20th century polymath, Frederico Garcia Lorca. Poet, musician, playwright & lover, he grew from humble rustic beginnings to become one of the most beautiful poets to elucidate the culture of Spain. Alas, his life was cut short by the Spanish Civil War (1936-1939), his outspoken liberal views making him the target of the Fascist murder-gangs on 19 August 1936.

His story, & of course his wonderful creative muse, made him a perfect choice to be included somewhere in this year’s war-themed EIF. Giving himself the job of truly elucidating Lorca’s lyrical genius, flamenco genius Paco Pena has weighed heavily on Lorca’s reclamation of Andulusian folklore & songs, & converted them into a wonderful two hour show. While his group strummed guitars & clapped their way through the material, a man & a woman danced elitely to the music, & i really did feel as if I was sat in an olive grove, the fire burning, the wine flowing, & the panorama melting into the sunset & teh Meditteranean Sea.

An excellent addition to the show was the epic visual projection at the back of the stage, which showed in grimy shadowy detail scenes from the Civil War. Then occasionally, Lorca’s poetry would be read out in English, its translated text shimmering in & out of the backdrop. This is perhaps the most powerful performance of poetry I have ever seen, & I know Lorca would wonder at modernity’s ability to eke out the ambrosia of his soul.

Reviewer : Damo Bullen

The Royal Concertgebouw

Usher Hall

Wed 27th August





 Having just returned from Blackford Hill, sunbathing and reading my new copy of Q magazine., I got a call from Damo, asking if I would go to the Usher hall to review the Royal Concertgebouw Orchestra. as part of The Edinburgh International Festival. Reviewing bands, ballet, comedians & theatrical performances is one thing. – but reviewing a hundred piece orchestra is another. The Usher Hall was packed to the rafters. Having press allocation ensures the best seats in the house. For a moment I felt guilty at the privilege of this blues-busting experience. Then the Orchestra arrived, taking their positions on stage, the ladies dressed in the most elegant of dresses, long and black. The gents in traditional tail-coats. They all looked very nice. Then the star of the show arrived, Mariss Jansons. The Usher hall erupted with excitement as the orchestra tuned into this Grand Master of the Baton. Interestingly, Violin seemed to be a girls thing and Cello a boys thing. I’ve always associated Cello with Girls, because of the instrument’s sensual nature and the way it is held between the legs. (Think Susan Sarandon in “The Witches Of Eastwick.”) Then Mariss Jansons waved his Baton and waves of sonic fidelity bathed me in bliss. The first piece, Symphony No1 in F minor., composed by Dmitry Shostakovich, was such good medicine, and I was transfixed by the conductors control and power to conduct who played what and where.His moves were ever graceful and Divine sank further and further into Classical heaven.

It was a catch 22 position. Did I close my eye’s and drift off into the world that the music wanted to take me.or did I keep my eye on the conductor and marvel at the way he controlled the talents of his orchestra. Multi-tasking was key; there was so much going on upon the stage, & I didn’t want to miss anything. My senses were engulfed to the max, as a smile spread across my face I realized that I was really, really enjoying this. During the interval, there was an old man sat next to me who had been following the musical script in a book he had with him. Reading the musical notes as though he were reading words from a book. I asked him if he could hear the music in his head as he read the music. His reply was, ‘sometimes.‘ Then I discovered that he had been a conductor for the Leeds Symphony Orchestra up until 1976. I was engrossed with his tales of conducting in Yorkshire.

The second half of the performance.Ravel. Piano Concerto in G major. 
I had been so engrossed in my conversation with the old master that was sat next to me, Tthat I hadn’t noticed that a Grand Piano had taken center stage. Aside from African hand drums, piano is my second instrument and now was my chance to see Jean-Yves Thibaudet in action. As he took to the stage, the audience’s applause nearly took the roof off. To have this close a view of this genius at work really was a blessing. The almost psychic link between pianist and conductor as the piece began with a crack of a whip and then the skill and dexterity of the fingers that brought Ravel back to life. I was amazed ,inspired and very very entertained. What also amazed me was the pianist’s ability to perform this dramatically complex piece without sheet music. The atmosphere of the Usher Hall was multi-orgasmic as the concerto reached its climax. I was speechless.

This wasn’t a Master Class. This was a Professor class.

Divine Loved Every Moment. 



Rebecca Pilcher

The Pear Tree.
Edinburgh Free Fringe.
20th August

Rebecca Pilcher is one of Edinburgh’s hardest working Rock Stars, with her long blond hair and her eye’s of blue. She cuts a very striking presence with her guitar and when she plays that guitar,she plays it with a Rock n Roll intensity that instantly grabs your attention. Accompanied on percussion by Kyle Hamilton. Ms Pilcher’s songs are sung so soulfully. Most of her set were originals,with themes of unrequited love and heart ache,with lyrics that are well crafted.and drawn from romantic endings. The beautiful rock star then blessed us with a rendition of Pinball Wizard,From The Who’s album Tommy. This was the first time that I have heard the song sung by a lady and It Rocked.

Keep your eye’s peeled for one of Rebecca’s gigz,because with a talent as hot as this,she ain’t gonna be on the Free Fringe circuit for very long. FOUR STARS

Reviewer : Mark ‘Divine’ Calvert


21-22 August

On my maiden visit to South Australia in 2000, I was working my clairvoyant and healing magic at the Spiegeltents first outing at The Adelaide Fringe. Shooglenifty and Tam White (God Bless his soul) were playing on the same bill together, with both bands heralding from Edinburgh. It was on that night that destiny called, & tt was while dancing to Shooglenifty’s brilliant Celtic groove that I met and had the first kiss with a Lady that I would share the next four years with.

So when I found out that Shooglnifty were to be the house band of Club Spiegel, the club night that follows “La Clique,” a further ripple of excitement moved through me. Memories of that life-changing experience were brought back…Spiegel is like a Tardis of memory and Divine never forgets.

Shooglenifty performed a magical set tonight, invoking the Celtic fires of dance within the audience with the well-crafted musicianship that has ensured their place on the world stage. The groove and chemistry that this band presents reaches deep into the soul and dance can be the only outcome.

Tonight this handsome band were joined on stage by the gifted and beautiful voice of Kaela Rowan, lamenting our hearts in unison with our dancing feet, and what a winning combination this proved to be.  A FIVE STAR performance.

Reviewer – Mark ‘Divine’ Calvert

Museum After Hours

National Museum of Scotland
8, 15 & 22 Aug 2014
£16 (£14)

Encounter the National Museum of Scotland (NMS) as never before with some late night entertainment.  Especially for the Fringe Festival, the NMS opens its doors ‘after hours’ for adults (18+) to experience the grand opulence of the Grand Gallery while sipping wine, see special exhibitions, live snippets of festival shows and creative events. For three nights during August you can see all this in a not-so-average festival venue.

From the main entrance on Chamber Street we found the Brasserie was still open for nibbles, dinner and drinks, a brisk stroll upstairs lead you to the bustling and vibrant Grand Gallery. The Main Stage was slap bang in the middle of the space so standing room was at a premium; visitors lined the balcony above to obtain a better view. Queues for the bars either side of the vast hall added to the congestion, the above average prices for below average fizz, wine and bottled beer failed to deter the thirsty visitors. The word ‘BAR’ was projected across the wall for ease of navigation. If you wanted to explore the other areas of the museum you had to leave the drinks behind, which for me, took some of the shine off the evening. There would have been something deliciously naughty about wandering through atmospherically lit exhibits, whilst sipping on a glass of vino. But it was understandable that they were keen to avoid any drunken Ming vase mishaps!


The museum was divided into several performance and activity areas for the night. The aforementioned Main Stage had a varied bill including a trombone quartet, capella singers, comedy tap dancers and a taki maori haka experience – an eclectic mix indeed! Music and chatter echoed around the cavernous Grand Gallery atrium.  Old school 50’s Jazz played between acts taking the party people back in time, along with some of the artefacts surrounding us. Over in the Auditorium we were treated to some hypnotic Mongolian grunge and ‘comedy, magic and science’ courtesy of the affable Oliver Meech. The diversity of the acts tied in nicely with the spirit of the museum itself.

My personal highlight of the evening was upstairs in the Event Space. Here we could don white gloves and handle ancient Egyptian artefacts, participate in art & crafts and have our photo taken by the wonderfully silly team from Photo Bubble Booth. Hats, horns, moustaches, goggles, masks, and myriad other accessories littered the floor. You were given eight seconds between photos to dress up as daftly as possible and strike a pose – great fun!  Plus it was a nice memento to take away from an enjoyable evening.

Visitors were able to enjoy free entry to the exhibition Ming: The Golden Empire, usually costing £6.50/£8. This special exhibition was an overview of the legacy of the Ming Dynasty, ruling China between 1368-1644.  There were also an occasional surprise acts popping up around the site.  Too much to experience in only three hours.   As darkness fell the atmosphere definitely improved, those inevitable ‘Night of the Museum’ scenarios seem to be more possible!  Alas the T Rex failed to move even after a large glass of vino tinto! FOUR STARS

Reviewer : Sarah Lewis

Kae-Lei Stowell

The Cowshed, Edinburgh

August 17th


Yesterday Avo I saw a Godfather and God-daughter song-writing team that look set to blow Adele out of the water. All original compositions penned by the brain-child behind the street-review Blog ‘,’ Mr Damo Bullen plays Bass, who with drummer, Mr Luke Grifiths, provide a very funky rhythm section. Then along came the very, very cute Al Roberts on rhythm guitar and Roy Saunders on melodica & mandolin completing a sonic template for the amazing voice of Kae-Lei Stowell.



A Fourteen year old with an amazingly powerful vocal range that brought tears to my eyes. This always happens when I experience Genius. For a girl to have such realised gift at the age of 14 I am confident in saying that Kae Lei Stowell gave the best vocal performance I have witnessed this Summer season and feel blessed to have been moved by such a fine performance of Rock n Roll.


The Cowshed,in the Cowgate has the perfect dance floor all dusty and strewn with straw. With a band as good as this, I was hooked immediately, and the funky moves began. A new band,original songs and with such an impassioned, evolving soul Diva as Kae Lie Stowell leading the quartet. How could they go wrong. FIVE STARS


Reviewer : Mark ‘Divine’ Calvert

Andrew O’Neill – Heavy Metal: A History

Pleasance Dome

16-24 August






O’Neill’s performance was strong and energetic from the start. He erupted onto the stage wielding an electric guitar, a wealth of musical knowledge and a keen sense of humour, all of which he shared forthright and throughout the show with an excited audience. Despite the shows title ‘History of Heavy Metal’, this show is not only for lovers of heavy metal music, but for all. O’Neill is both informative and entertaining in his deliverance, and if his knowledge and his passion does not draw you in his witty jokes and charismatic energy will. When a performer enjoys doing their own show so much its hard not to enjoy it with them and in this case it’s evident how much O’Neill enjoys fusing two of his passions, Heavy Metal Music and its life span and his own art form, stand up comedy.






When I said this show was for all I meant it. I went with two of my counterparts who like myself were never big on Heavy Metal, however we left the venue after the performance with a new found understanding, or for want of a better word curiosity, for a music genre and its disciples, a warm feeling as though we’d been welcomed into a new community and sore sides faces from laughing for the best part of an hour. We are all in agreement that for this show Andrew O’Neill with his magnetic enthusiasm, passionate knowledge but mostly his whimsical personality and performance has earned himself all FIVE STARS.


Gold star

Reviewer : Dermot Nelson

Klang Haus


13-24 August




This is how it should be done.I joined a couple of friends waiting in a Que. The elevator doors opened and we stepped inside and down we went. Imagine being transported back to Andy Warhol’s art factory in 1967.

Only Andy had borrowed a Tardis to travel into the future to persuade Lux Interior, Poison Ivy, Nick Knox and Aphex Twin to collaborate with The Velvet Underground in an immersive cutting edge art project that was multi media and packed to the rim with everything that would captivate and engage my pleasure buttons. The spirit of Andy Warhol was very present. He was smiling. And like me. He, loved it. FIVE STARS


Reviewer : Mark ‘Divine’ Calvert