Victor Pope’s Mardi Gras

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It is currently impossible to cross the road for an indeterminable distant due to lots of things like this. Happy fuckin’ Mardis gras bitches!

Edinburgh’s most majestic songwriter loves a bit of jazz. He also likes to write witty & exciting three-part travelogues in America


 

PART 1: HAPPY LANDINGS

 

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I arrived in New Orleans to a stifling heat and no rain, despite what the forecast had predicted. Retiring to the smoking area for a wee snout I discovered a discarded packet of Marlboro Lights. Initial signs were good. After a long wait the bus came to pick us up. The sign telling us which stop we were at wasn’t working and the bus driver hadn’t heard of my destination, but with a little help from a friendly Cuban lady I managed to get to the apartment. The room was very clean and it was late by the time I arrived so I decided to get an early night and in so doing beat the Jet Lag.

I woke early on Saturday and headed straight into town. After a decidedly suspect breakfast of fried oysters and grits (a disgusting porridgy substance) I made a beeline to Bourban street. The parade was in full swing, the French facades and balconies teeming with revelers in bright clothes, and occasionally not so much clothes, flinging long strings of cheap plastic beads at each other, which seems to be the done thing. Music poured out of every doorway and it wasn’t long before I was chilling in a bar with a cold beer listening to some hard rocking blues played by a way wood looking rabble of rogues begging us for tips so they could keep their kids in beer and cigarettes. From there I made my way down to the Mississippi where a gigantic steamboat greeted me. They apparently did tours but I was more interested in the airboats. Yes – you can go down the Mississippi on an airboat after all. You shall go to the ball! Gentle Ben bitches!! I booked the trip for Thursday, by which time my Mardis Gras hangover should have mellowed.

I inquired with a local busker if there were any open mic nights and he told me there was one at a bar called Check Point Charlies. He warned me it was rough but when I told him I was from Leith where trainspotting was based he said I’d be fine. After a little more music I headed west with the aid of a tourist map I’d picked up to hit Lafayette cemetery where easy Rider was partly filmed. It was a long walk through hoards of revelers, crossing the road practically impossible with all the garish floats laden with elaborately costumed dancers pumping out obnoxiously loud rhythms. But hell, this was what I’d signed up for.

By the time I got to the cemetery it was closed, so I’m going there today instead. The parade finally died down and I managed to cross the road and hit a live jazz bar where I enjoyed the greatest burger I’ve had in my entire life. Hickory sauce with crispy bacon and a melt in the mouth patty cooked to perfection. From there I headed back to the French Quarter only to be trapped once again by a second wave of floats. All I wanted to do was get the bus but this was impossible. No access due to party. And it never ended! I followed the whole procession all the way up the main drag – Canal street – until I was pretty much home by the time I could cross the road. Approximately 3 miles later! So I cut my losses and decided I might as well hit the hay.

Yesterday I headed straight for Check Point Charlie and the area where I’d been told the best music was to be heard. Sure enough it was hipster paradise with boutique coffee shops, gay and lesbian bookshops, real ale bars. But it had a good feel so I spent most of the day there going from bar to bar to keep out of the rain which had started in earnest. I was told that the sign in time for the open mic was seven o’clock. By which time I was told there was no open mics while Mardis gras was happening. So I guess I’d shot myself in the foot there. Oh well. The bar was cool at least. A regular Bukowski dive full of the shadiest dregs of society. A sign on the bar read “Danger – Men drinking”. I felt right at home and soon got chatting to a couple of the local ladies who kept me in drinks all night. They said they liked me but they didn’t trust me. I guess you’ve just got to take what you can get. The night dissolved into an alcoholic blur and I can’t remember much after the sambucas. Needless to say I’m not at my best this morning and so apologize if my writing is a bit sloppy. But I’m ready for another day. A nice breakfast and a walk to the Easy Rider cemetery should sort me out. As far as the food goes. Keeping it simple seems to be the way forward. Until next time – happy fuckin’ Mardis Gras bitches!

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My palatial obode for the next ten days. Currently having oyster holondaise with grits for breakfast. Wish me luck!

 

PART 2: MARDI GRAS

 

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You’re never far from home – this is literally the next street along from mine!

After finishing up in the library I headed back to the cemetery only to find it closed again. And apparently for the whole of Mardis Gras. So I guess I wouldn’t be spending it taking acid there like in easy rider. I was hungover and desperate for some scram so I got myself a tuna sandwich and a bucket of cola. Still didn’t feel right as I crawled my way back to the French quarter. Coffee didn’t work, hair of the dog didn’t work, and by this point I felt so full of liquid I would burst if I took another drop. So I opted for one of my own unique hangover cures – a nice feelgood film at the cinema. It was another long walk and the film wasn’t on for another hour but I could wait. The film I saw was Fighting with my Family – an unlikely collaboration between Stephen Merchant and Dwain “The Rock” Johnson about a female wrestler from Norwich who makes it big in WWE. A very inspiring, life affirming and funny true story. Just what I needed. I decided to get the taxi back into the city, I’d had enough of walking. Ann Macintosh had recommended a club back on Frenchmen that was apparently good. After some fish I went in and was greeted by the sounds of dixieland swing. Played more than competently by a mixed bag of lively musos of all ages. It was OK, but it still wasn’t the magic I was looking for and it wasn’t quite enough to lift me entirely out of my delicate state and start dancing. So I caught a bus home and decided to live to fight another day. And fight I would have to. It was Mardis Gras!

After a long wait on the bus mixing with a little of the local color I arrived back on Canal Street – New Orlean’s main drag. And the carnival was in full swing. Garish floats crowded with the kind of black and white make up that made Robinson’s jam so controversial and tossing out endless plastic beads, plastic cups and occasionally foam footballs to the greedy, eager hands of the punters below. As it was Mardis Gras I felt I had no choice but to instantly start work on my next hangover. My first beer came at 11am with a delicious roast beef po-boy and from there I had no choice but to follow the parade wherever it took me. Crossing the road was out of the question. Imagine a kind of massive game of snake only more colorful and a bit more drunk. So I snaked my way from bar to bar realizing it was impossible to get back to the French Quarter. I was almost back at the cemetery when the crowd finally relented and I was able to cross the street. Now, more than a little buzzed off the beer and jack Daniels and coke slushy. About half an hour later I was back in the French Quarter where I found a smoking bar. No beer. Just smoking. And the infamous Coyote Ugly bar from off of that film. Complete with slender, scantily clad glitter bunnies bopping on the bar. Like the port of Leith on steroids. I chose not to enter. It scared me a little. Instead I opted for another bar back on Frenchmen where there was some decidedly mediocre blues playing. I was starting to get a little disillusioned with this town. So I took my slightly drunk self up a few buildings and wham! Dixie land in overdrive. Smells like Teen spirit was being blasted out on horns by an all dancing, all rapping gang of eager young ne’er do wells. Energy and vibrancy buzzed off the stage and put all the other acts I’d seen up to that point to shame. And yes I felt my foot tapping, my hips swaying, my arms flailing and before I knew where I was I was dancing. Music this good is so infectious you have no choice. And it just got better! The next band mixed up popular melodies with wild improvisations that always landed perfectly on harmonies so tight there was barely air between them. All delivered with such effortless joy and what can only be described as psychic communication it kind of made me just want to smash up my guitar and give up the whole sorry show. But instead I decided to dance. The saxophonist particularly impressed me. Not that he was the best player. That was definitely the man mountain of the bastard bellows trumpet player. But the saxophonist just looked so crazy.

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The last bastion of civilization…

He was on the stage before anyone else bouncing about like a kid on too much orange juice and candy. A tiny guy but with muscles so well defined he’d put Bruce Lee to shame. In his little white wife beater. He spent the first few minutes of the gig staring angrily at the crowd while periodically glaring at his phone. But pretty soon he was bouncing and glowing like the rest of his merry gang of renegades. A star in the making mark my words. The music kept going but I couldn’t. Drinking since 11 had took it’s tole and 12 hours later I was ready for my taxi home. But New Orleans had finally delivered – and it was contemporary – who’d have thunk it?
Today it’s ash Wednesday and things apparently get a bit religious. Holy water for beer then I guess…?


PART 3: ALIGATORS

 

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Praise Jebus! I’ve found my religion!!

Ash Wednesday turned out to be a bit of a non event and besides a few church goers with a dirty cross daubed on there foreheads there was nothing much to report. I spent much of the day just eating and drinking and wondering around the city. Only this time I had my bearings a little better and wasn’t spending quite as much time asking people for directions. I wound up back on Frenchmen eating a burger, enjoying a couple of beverages and listening to some sweet gypsy jazz. All very pleasant. The only thing that tarnished the experience was the constant tipping that is required of you. It seems the whole country is built on tips. I haven’t checked my bank account since I got here but I’m pretty sure it’s not going to be pretty. I decided to turn in early as I had a big day planned for Thursday and wanted to be at full power. Riding the bus home I noticed that not many white folks take the bus outside of Mardis Gras. And there you go Mira – that’s my comment on race!

Thursday I started out early with a shower then headed to Canal for an Ihop breakfast of bacon omelette. Not bad. They really do like cream and cheese here though. I had a couple of hours to kill before my air-boat tour so I went for dessert at Pinkberry. I heartily recommend their cookie cream ice-cream. Perfect comfort food. A little wonder down the river front later it was time to catch my bus out to the swamp. It was a little late in coming but we got there. The buildings thinning out as we crossed the river, a couple of the dilapidated houses looking like they came straight out of a horror film or maybe To Kill a Mocking Bird. Coupled with the anonymous stores and retail complexes ubiquitous to the American landscape. When we got the docks I was in hog heaven. Gentle Ben in full effect! Air-boats everywhere. I was on 15 so I made my way and boarded. A seat right at the front. The guide was an incredibly lively fellow, dancing on the spot as he rapped out the names of fishes and plants and Louisiana delicacies. There was no room for shyness apparently so I tried to chip my awe in. Although my comment on the cemetery being closed ‘cus people were pissing on the graves didn’t go down as well as I’d hoped. As we hit the open water he opened up the engine and pretty soon we were flying along just like in that beloved 80s children show, barely skimming the shore. We slowed down as we entered the narrow bayous. Trees I can’t remember the name of looking like they were dripping furn from their branches. You know the ones. You see them on TV all the time.

Then we slowed and right in front of us 2 alligators. A big one lazing on the shore and a smaller one in the water. Why was the smaller one in the water? Because he was stupid according to our all knowing guide who was merrily screaming at him and chucking marshmallows for him to eat. It seems most marshland beasts are fond of marshmallows. This being the preferred bait for every creature we came across. A thoroughly delightful couple of hours marred only by the fact that my face was now burning due to the deceptively strong sun. Our tour guide seemed to enjoy himself the most though. His enthusiasm was infectious. I would say he was only doing it for the tips but he never even asked for any. I gave him one anyway.

Back in the city I decided to celebrate my new found knowledge of Gators by eating some. Gator poppers. Deep fried balls of alligator very popular with the locals apparently. Tasted like chicken. I also tried another local delicacy – red beans and rice. Not bad at all if a little filling. Then I was off to the cinema to see Captain Marvel. The latest in the Marvel film franchise. Purely for the sake of me being able to say I’d seen it first. I won’t say too much about in case there are any Marvel fans in the audience. Suffice to say it does most of the things expected of a Marvel film.

This morning I got the laundry done and my delightful host gave me a lift to the shop for some well needed travel equipment and to a well known seafood restaurant for the still elusive boiled craw-fish. They were no longer elusive and quite delicious. All I had left on my food checklist now was the famous fried shrimp po-boy. Which I think I’ll have tonight. I’m afraid this will be the last entry as tomorrow I’m on a steamboat and Sunday I head home. So, for those of you who have bothered to read them, I hope you have enjoyed my little adventures and see you back in blighty!

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Alligators eat marshmallows, rabbit, fish, other alligators but not humans. They can live for up to 300 years, they can survive without food for more than 2 years, predate dinosaurs and now I’m eating one – alligators bitches!

Teenage Funkland 5: That London

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Continuing Damian Beeson Bullen’s retrospective adventure thro’ the Birth of Britpop; with the Brixton Anti-Nazi League Rally & a trip to Wembley to see Burnley FC win the play-offs… on the same bloody weekend!


After meeting the Stone Roses, once me & Nicky were back in little Ynysddu our appetite had been seriously whetted for all this music malarkey, & it wouldn’t be long before we were back on the road again. As it happens, we were just chillin’ with a reefer listening to a bit of Bjork when Lisa bobbed in & told us there was gonna be a big gig in Brixton…

“Who’s playin?”

 “Manics… Levellers… Billy Bragg… a few others. There’s a few coaches leavin from Blackwood… three quid there & back!”

“Buzzin!” we said.

She left & then Nick said,

“Fuckin hell, Burnley are playin at Wembley next day!”

 “Buzzin!”

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It had all seemd to miraculousy fit together – we could get to London for £3, watch a gig, & see Burnley get promoted (hopefully) in the old Third Division play offs. So the next day we got up at some stupidly early time & found ourselves waiting at Blackwood bus station with a load of festival types. One of them was the original manager of the Manic Street Preachers. He was a bit slow, like someone who’s not quite nappy-trained when everyone else was using potties. It turns out the Manics had dropped him in a flash just as success was looming. I was never really a fan of the band, like, a bit too buzz-saw grungey, banshee wailey for me. 1994 was the year of their third album, ‘The Holy Bible,’ whose first single, Faster, was released on June 6th, lyrics by the missing-within-a-year Richey Edwards.

After paying our £3 fare we began to trundle East toward the big smoke… London, England. From Piccadily to  Portobello Road, from Peckham to Primrose hill, from Portland Place to Putney & from Paddington to Penge the place is pretty pukka! The capital is a totally bonkers… far too many people, far too expensive & far too big. But there’s loads of stuff to see & do & the tubes were pretty easy to jump back in 1994; there were hardly any electric gates, & if there were you just shimmied on your knees through the luggage bit.

Stall holder in Camden lock late 1970’s

In 1994 the Mecca for all young people was Camden Town & its mental market; shop after shop of funky clothes blaring out funikier tunes spread out round some wicked little venues. Unfortunately, me & Nick were a couple of years later for the legendary squatting of the Roundhouse by the Spiral tribe & its Mad-Max raves. By 1994, however, the place was becoming the new home of Britpop, thanks to spunky young band of pearly princes called Blur who lived in the area. Their eternal disco-classic, Girls n Boys & its ridiculously brilliant bass line had just reached the top ten back in March.

A few weeks later, on the 25th April, they took the whole country down the Poplar dogs with the anthemically Cockney album, the bastion of Britishness that is Park Life. A ‘nocturnal travelogue for london,’ chirp’d singer Damon Albarn, & the album – part mod, part punk, part pure art, & peppered with sunspots –  would capture the London zeitgeist with all its apples & pears & gorblimeyisms; which remains, to this day, a modern classic.

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Blur’s Parklive Tour, May 1994:

10th – Rock City, Nottingham, UK
11th – Civic Hall, Wolverhampton, UK
12th – University, Bristol, UK
13th – De Montfort University, Leicester, UK
15th – University, Hull, UK
16th – Plaza, Glasgow, UK
17th – Queens’ Hall, Edinburgh, UK
18th – Northumbria University, Newcastle, UK
19th – Academy, Manchester, UK
21st – Octagon, Sheffield, UK
23rd – Event Centre, Brighton, UK
24th – University, Reading, UK
26th – Shepherd’s Bush Empire, London, UK
27th – Shepherd’s Bush Empire, London, UK
28th – Guildhall, Southampton, UK
31st – Town and Country Club, Leeds, UK

Meanwhile 2,000 Blur fans are spilling onto the street as suave bastard Albarn, mad axeman Coxon, cool f***er James & soon-to-be groom Rowntree head for a hard day’s night of outrageous debauchery & wanton hedonsim ‘Im up for it,’ says Damon as I leave him with three diminuitive Blurettes hanging from his neck live living breathing pendants. ‘Whatever is it, I’m up for it.’
NME Journalist after the Wolverhampton gig
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Other albums released by pre-Brit Pop bands in early 1994 – all in March actually – included ‘Give Out But Don’t Give Up’ by Primal Scream, which unfortunately after Screamadelica was a bit retro rocky rubbish really. ‘Devil Hopping‘ by the Inspiral Carpets was weak, while ‘Up To Our Hips’ by the Charlatans was also lacking brilliance. One to Another and that Area 51 jam, tho, they were bangin tracks. Still, it was going to be up to a wave of new bands to define the Britpop sound; Blur’s ressurection & reinvention after being slain by the Seattle conquest, while the growing acclaim surrounding Pulp’s His & Hers album (released April ’94) would lead to the following year’s world shattering ‘Different Class.‘ It had taken Jarvis Cocker & co. eleven years to get there, but their sound & songwriting were finally clicking together. Echobelly & Sleeper were also redefining themselves for the epoch, giving us the leading ladies of the Britpop Olympus. “Any generation that would pick Kurt or me as its spokeman,” said Eddie Vedder in ’94, “that generation must be really fucked up.” They probably were, but the British didn’t care anymore – they were ready for a change & it had already fuckin’ started!

Oh yeah, Blur & Suede. I do believe we’ve got ourselves a Happy Mondays vs Stone Roses/Beatles vs Stones-type face-off in the making. This has to be encouraged. It is, indeed, exactly the kind of healthy competition that inspired Brian Wilson to outdo Paul McArtney in the Sixties, Bowie to outglam Ferry in the Seventiues & Morrissey to outwhinge Edwyn Collins in the Eighties… There’s also tremendous gossip-coloumn potential in all this, what with Damon living with Brett’s ex, Justine, & Suede, Blur & elastica vying for magazine & ‘TOTP’ space. Its the drama of the season, watch this space. Paul Lester

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Back on the bus with a load of South Welsh, after a few hours of hashish & hip-hop we finally arrived in Brixton, parking up with what seemed like thousands of other buses. They had all arrived from different parts of the country, emptying their contents to form a mash-up of well over a hundred thousand folk – the biggest crowd I’d ever been a part of. Once in Brockwell Park. the ‘show’ was started by a couple of speakers, who came on & ranted a while about the BNP, whipping the crowd into a phrenzy.

“I wish they’d shuddupp, thats proper boring

Said Nick, & I agreed. Our prayers were suddenly answered & on came the Levellers, & out came the spliffs, & the crusty hippies began to wave their dreadlocks around furiously to the music whilst dancing like they were having an epileptic fit. Next up were the Manic Street Preachers (with a new manager) & finally Billy Brag did a solo rendition of his brilliant New England, which went down a treat.

The Anti-Nazi League rally of 1994 had its roots in the first Carnival Against The Nazis, which was played by X-Ray Spex, Steel Pulse, the Tom Robinson Band and The Clash in 1978 – a diverse selection of music for a diverse multi-cultural crowd. A huge rally of 100,000 people marched the six miles from Trafalgar Square through London’s East End – the heart of National Front territory – to a Rock Against Racism concert in Victoria Park, Hackney. With the relaunch of the Anti-Nazi League in 1992, a nationwide live musical movement rose up which culminated in over 150,000 arriving at Brockwell Park to celebrating the defeat of the Nazis in the recent local elections & reaffirm their belief in a multicultural society. Of the growing rise of Neonazism, ‘they have an illness in the minds,’ said Stero MCS frontman Rob Birch, ‘they’re ill people.’

Other bands that played were Back To The Planet, Credit To The Nation, Urban Species & African Head Charge, but the definitive highlight of the show were Rage Against the Machine, who got 120,000 people jumping in unison singing,

“Fuck you I wont do what you tell me!”

All around the crowd, the neon-clad metropolitan police began to get edgy, & it looked for a moment they were gonna pile in & kick off a new set of Brixton riots. But it all passed off peacefully & suddenly it was time to go home. People began to wander back to their coaches, but we were off to Peckham to see some family of mine. For a moment we completely lost each other in the merry mass of people, but after ten minutes of frantic searching I saw Nick’s yellow t-shirt come bobbin down the hill & all was well.

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The next day, despite only having ten pounds and a bit of shrapnel left between us, we jumped tubes into Central London. I’d had a brief stint in London in 1992, as a 16 year-old staying on the largely intimidating North Peckham Estate overlooking Burgess Park. In the three months or so I was in the capital I’d learnt the laws of the jungle; skiving college, jumping trains about the city & going shopliftin’ & stuff – it was an alternate education. At one point I remember going into a record store & discovering the very earliest release by The Stone Roses, the punky So Young. I listened to it on one of those old listening booths from the 60s, & it was a special moment discovering ‘new’ Roses music. The track would be eventually released on The Complete Stone Roses compendium of 1995. But that rainy afternoon in the capital a precedent had been set for grailhunting the Roses.

Two years later I wanted to show Nicky the Trocadero centre & the proper arcades, where we had a wee two-player go on the mental Windjammer. It was a an old hang-out of mine, the Trocadero, & for useful information lovers, in 1994 Nickelodeon UK began broadcasting live from there in a two year stint before moving to Rathbone Place. 

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London Trocadero

So, it was time to get to Wembley, where we arrived at the stadium – the old one with the towers – at a few minutes minutes after three. The match had already kicked off & unbeknownst to us Stockport County had scored. Now Burnley versus Stockport might not sound exactly like a glamour-match – but to a Burnley fan who’d spent all his conscious life watching them in the lower echelons of the football league, this play-off final was the biggest match of his life. Luckily for me & Nick we stumbled across a sound steward, who took our sneaky tenner & led us right up to the executive boxes for a panoramic view of the action – with a programme thrown in for good measure.

I had been to Wembley once before, as a wide-eyed kid back in ’88 to see Burnley play Wolves in the Sherpa Van Trophy. I distinctly remember Wolves fans mooning us on the motorway after the game. I also remember there being more fans for the meeting of two 4th division teams at Wembley that year than the Liverpool-Wimbledon FA Cup Final, with 80,000 filling the stadium. On this occasion, there was still 35,000 Clarets, but only 8,000 or so County fans, with huge swathes of the ground left empty.

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Football in the analogue era was so different by the way. Away from radio updates, watching the Ceefax/Teletext screens change every 30 seconds or so in an exciting carousel was the only way to keep up to date with events across the board. In those days as well, people played fantasy football & football manager games by post – I played one where I did a whole season per post, which was cool. Players were off the radar completely – no hourly twitterfeeds or instagrams, just names in old programmes & photos in your panini album.

The simple joy of following football on Teletext will never be replicated

As the gplay-off final continued, Stockport got two players sent off – Wallace for a disgusting spit in the face of Burnley wing man McMinn, and Stockport goalscorer Beaumont for an off-the-ball stamp on Burnley pie man Les Thompson. We soon enough scored a couple of goals & I didn’t give a shit any more about the quiet atmosphere & the rows of plastic seats across the way. Despite finishing 12 points behind Stockport in the league, Burnley were promoted & Wembley was the greatest place on Earth. The chant, ”Jimmy Mullen’s Claret Blue Army’ was the loudest ever surge of pride sang by the Turf Moor faithful to this day. Marlon Beresford, Gary Parkinson, Les Thompson, Steve Davis, John Pender, Warren Joyce, Ted McMinn, Adrian Heath, John Francis, & David Eyres – we will always love you!

An Interview with Ramona Lisa Grotte


Without Ramona Lisa Grotte & her talented musicians, the streets of Seattle would be a lot less lively… The Mumble caught up with the lady for a wee chat!


Hello Ramona, first things first, where are you from & where are you at, geographically speaking?
I’m from & still live in the Seattle area, Washington State, USA.

How did you develop your appreciation of music?
I grew up with music playing in the background/foreground in every part of my life. All of my Grandparents as well as my parents always had music playing. Radio, records, 8-tracks, tapes, CDs etc. Every genre. Live shows!!! I can’t imagine life with out it.

You are one of the head honchos of Gigs 4 U – can you tell us about the organisation?
I am the Programming Director at Gigs 4 U. Our company provides live music/entertainment services for our clients events/programs. We have helped our clients create new opportunities for artists to get paid to play. Many of these gigs did not previously exist. Our clients know that music enhances their spaces for their employees, guests, general public. The live music program at SeaTac airport is an award winning program that has helped artists make new fans that would otherwise not know who they are. Like a world tour with out leaving home!

Good work – so how did you get involved in the company?
I was invited to help with programming at the very beginning of the company by the owner/founder Edward Beeson. He and I have since become very close and are currently getting ready to live on a boat together. His company has changed lives in MANY ways!

Ed Beeson & Ramona – happily mixing business with romance

 

What do you like to do when not organising Seattle’s kick-ass public music scene?
I like to spend time at the beach with Edward and our dogs. I love art and when I have time, I actually create stuff!

You’re washed up on a desert island with an all-in-one solar powered DVD/TV combo & three films, what would they be?
Oh my gosh. Something by Hitchcock, something from British telly and something musical.

Ramona’s art

When did Gigs 4 U begin & how has the company grown since that time?
It was formed in 2013 to launch the live portion of the Experience the City of Music program at SeaTac airport. Since that time the company has grown to provide services to many more clients like: Amazon, The Downtown Seattle Association, Friends of Waterfront Seattle, Seattle Parks and Rec., Microsoft, Whole Foods, Nordstrom, and many more. We have over 1000 vetted artists in our database, with about 150 of them are being actively scheduled for on-going programs throughout the city. In 2019 we represent all genres, instrumentation, ethnicity and configuration, while logistically we can provide solo, small production for an intimate crowd or we can go full band, staging, sound system etc.

What inspires you in the morning to get to work for Gigs 4 U?
The artists. So many artists are struggling to make a living at being artists and this is a shame for our society. Art is a fundamental need for humans. Music is more powerful than anyone realizes. It is in the universe and pulses in our souls. We as a society should be paying our artists fair compensation for the beauty and help that they bring to us daily.

Can you describe the relationship you have with your performers?
Our artists are like family to us. We are always looking for more ways to help them pursue their craft and be able to make a living from it. Some of them are my best friends.


www.gigs4u.org